New Cancelled Games & Their Lost Media Added to the Archive

Blue Angelo [GBA – Cancelled]

Created by Adriano Baglio (Virtual Spaghetti) and published by Shibuya Interactive, Blue Angelo was originally developed in 2004 for the Korean GamePark 32 console and well received by the public. Little information is available on Shibuya Interactive but the company appears to be no longer in existence. Unfortunately the GP32 sold poorly and prevented the game from gaining any real attention. While a Game Boy Advance version of Blue Angelo was planned for release after the European launch of the GP32, the Korean handheld was never released there and thus the Game Boy Advanced port was canceled.

Firmly embedded in sci-fi and fantasy, Blue Angelo’s storyline involves the idea that Earth is a planet created by a group of unknown creatures. While Earth is instinctively violent, humans have progressed to the point where a large number of the population has left the planet in order to pursue colonization in other parts of the galaxy. One of these planets, Lyra, has been afflicted by a variety of monsters and demons. The scientists on Lyra create a fighter of their own (controlled by the player) in an effort to eliminate any existing threats on the planet. Mysterious in nature, the fighter does not eat or drink and has a lifespan limited to the course of only one year. This creature is called “creature 331” or Blue Angelo. The subtitle of the game appears to have been “Angels from the Shrine,” but it remains uncertain exactly how this subtitle factors into the Blue Angelo storyline.

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Blue Angelo for the Game Boy Advance was about eighty percent completed on Livello, a level editing program, before it was canceled. There are currently two playable versions of the of the GBA version available online: one offers only a demonstration of two monsters, while the second version is a more polished prototype. These small samples of the game are merely intended to provide an idea of the work in progress and show off gameplay elements. The GBA version of Blue Angelo utilized parallax scrolling of 4 or 5 layers while adding transparency special effects, which at the time was unprecedented for handheld consoles. It is unknown if the GP32 version used the same method.

The sidescrolling mechanics and button use for Blue Angelo appears to be fairly standard with the exception that the L button of the GBA port is designated as the “call the invocation lavos” button (according to available information on the game). While not exactly explained, this does sound like a summons button and would fit with the game’s world.

For many years, a reboot of Blue Angelo was considered. A failed Kickstarter campaign was launched for a PC version of an updated Blue Angelo game, emphasizing a complete redo of the game with improved graphics and providing each character with a unique feature. The game’s designers wanted to use the Unity Engine 2D to achieve organic 2D effects that are both easy to understand and simple to navigate. New stories and a unique universe apart from the GP32 and GBA versions of the game were also created for this renovation. It’s unknown how much of the story would carry over from the original game.

This Kickstarter was run by the publisher Vetasoft, a company founded in 2009 by the brothers Adriano and Massimia Baglio in Mons, Belgium. Vetasoft has established a reputation as a game developer for mobile devices, developing such games as Lucky Luke Shoot & Hit, Yakari Wild Ride, and Garfield’s Wild Ride. While the Kickstarter failed to reach its goal, it’s unknown if Vetasoft will continue pursuing the Blue Angelo reboot.

Article by Blake Lynch, thanks to Lanz for the contribution!

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Road Trip [Xbox 360, PS3 – Cancelled]

Road Trip is a cancelled zombie-apocalypse adventure game that was in development in 2009 / 2010 by French studio Hydravision Entertainment (mostly known for the popular survival horror game Obscure) planned to be released on Xbox 360 and Playstation 3. Initially known as Project T, the game was meant to be a more mature and open-ended take on the “zombie survival” genre, with a gameplay mechanic similar to State of Decay (released only 4 years later) and a characters-driven storyline, with a strong, non-romantic relationship between the two main protagonists, a man and a woman, somehow similar to what Naughty Dog did many years later in The Last Of Us. Road Trip was ambitious in scope and was likely Hydravision’s last chance for success, as the studio went bankrupt in 2012.

Popular books, comics and movies such as The Walking Dead, World War Z, 28 Days Later, Life After People and I Am Legend were the main influences for Road Trip. The studio wanted to create an open ended survival-horror game focused on action, immersion, and the feeling of freedom, while keeping pressure on players as much as possible, to surprise them with huge zombie hordes.

Road Trip was meant to be different from other third person shooters in that the player was going to have to deal with a constant sense of omnipresent danger. Instead of being in a shooting gallery and just walking toward the enemies, the player would be pushed into difficult situations and forced to figure out the best way to deal with the situation. Players would have never been completely safe in Road Trip: infected could be already roaming in the areas or appear suddenly. Zombies could pop up at anytime and from anywhere like open doorways, through windows, and even from the ceiling. These monsters would never give up, and they would hunt their prey aggressively as they were able to scale most obstacles.

Luckily players could use the environment to protect themselves, taking refuge inside a building and barricading it (pushing furniture in front of an exit to block it, closing and locking doors, windows, shutters, nailing wood boards on exits, etc.), slowing the enemies down while fleeing or using various items to help kill dozens of zombies at once (shooting a gas tank, wired grenades, etc.).

In this post-apocalyptic zombie world cities have been deserted (they are too dangerous, plus diseases are spreading quickly because of all the rotting flesh). A small proportion of the population has managed to adapt and survive in suburban areas, but most died in the first few days. There’s no electricity to be found, but petrol is still usable, providing you can find it in abandoned gas stations. Read more

Chronicles of Eden Vol I: Vangarde’s Tale [GBA – Cancelled]

Long title, short story. Chronicles of Eden Vol.I: Vangarde’s Tale was announced in 2004 by its developer Lightspire Studios as an upcoming Gameboy Advance title. The game was supposed to be a top down story driven action adventure/ role playing game. At the time of announcing the game no publisher was known yet and nor was a hint given on a final release date.

The game tells the story of Dyrvaine, an elite agent of the Elven Council of Tannale. The agent is sent out to investigate mysterious activities with a gate seal on a world called Elzian. The game was divided into four episodes and would give the player three characters to choose from, each wit an unique style of gameplay and each one with a different look on the storyline. A fourth character would become available after completing two of the four episodes. An interview with one of the makers of the game by Planet Gameboy can be read here.

After the announcement things became quiet on the game and it is assumed to be fully cancelled, most likely too hard to find a publisher for the game.

Promotional video:

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Extra – Artwork, possible Box Cover & Lightsphere logo:

(note: I only picked 3 recognizable pictures shown in the promotional video.  more?)

Knights (Digital Infinity) [Dreamcast, PC – Cancelled]

Before merging with Lost Boys Games and Orange Games to became the now popular Guerrilla Games and creating the Killzone series, Digital Infinity was a rather obscure indie team based in Netherlands. In late ’90s DI were working on an interesting online multiplayer brawler / party game titled Knights, planned to be released for Dreamcast and PC, following a gameplay similar to such games as Ooga Booga, Power Stone 2 and Heavy Metal: Geomatrix.

As reported by IGN in late 1999 Dutch publisher Project 2 Interactive gained the license to publish new Dreamcast games, announcing the never released Knights and another project under the name “Big Bang”, later released as Bang! Gunship Elite in December 2000. In another interesting article by Control Online (in Dutch) we can read that in March 2000 issue of PC Zone magazine (No. 30, Dutch version) they published a good preview of Knights, revealing more details about the game’s humorous backstory:

“In the magical kingdom of Whyrule the king is too old to keep ruling the country. To find a new king they decide to organize a big tournament among knights and the winner will then rule the kingdom. You’re ready for a career change, so put on your best mail-coat out of the closet and departure towards the castle.”

Initially Knights was started as a classic 3D platform adventure similar to Mario 64 and Spyro the Dragon, but soon the team had to switch plans when it became clear they would not have enough time, experience and resources to develop such kind of game. Digital Infinity were still a young team, with inexperienced developers and designers, who had to create their own 3D engine and assets without having a proper design doc to follow. After the platform game concept was tossed away they were able to create an early multiplayer demo, taking inspiration from the online capabilities of the Dreamcast and the increasing popularity of online gaming on PC.

This version of Knights was meant to be some kind of team-based multiplayer brawler with many interesting mechanics: levels were composed of different flying islands interconnected by slides, where players could move around and fight against the opposite team using different knights with different abilities, while also playing with the environment to their advantages, for example by riding a water-scooter in a small lake in one of the islands. By looking at the few screenshots we were able to gather, it seems that Knights could have been a fun multiplayer experience on the Dreamcast, with many interesting ideas.

IGN were able to see more of the game at ECTS 1999:

“Their first title, Knights (so close..) is an online deathmatch title of sorts, with an interesting twist. It is more of an interactive game of “kill the man with the ball,” and will also allow players to build their own DM levels. Project 2 plans on launching the title some time next year, and including online components a plenty.”

Unfortunately development was proceeding slowly and in the meantime Project 2 Interactive closed down for bankruptcy: even if the first couple of milestones were delivered, without Project 2 Digital Infinity regain the Knights rights and tried to find a new publisher.

With some luck they were able to gather Swing! Entertainment’s interest, a new publisher that doubled the studio budget and wanted to release Knights on more platforms, such as the Playstation 2. Meanwhile Digital Infinity also became part of Lost Boys Games, the studio grown with more developers, designers and artists. After the Dreamcast failed to sell enough units and with Sega discontinuing the console on March 2001, the team decided to finally cancel the Dreamcast version of Knights, focusing on the PS2 version and reworking the game again to make it the 3D platform-adventure they initially wanted to do. In the end the Playstation 2 version of Knights was also canned when Lost Boys Games were sold to Media Republic and renamed Guerrilla Games, starting to work on their Killzone series for Sony and Shellshock: Nam ’67 for PS2, Xbox, and PC. A Game Boy Color version of Knights was also under development by Formula Games / Lost Boys, but as it happened for the 3D version the game was never released.

We tried to get in contact with former former Digital Infinity / Lost Boys developers, in an attempt to unearth more on Knights, but unfortunately, they were not available for comment. If you know someone that worked on Knights, please let us know!

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Tomb Raider: Ascension [Cancelled / Beta – PS3, Xbox 360, PC]

A reboot of Tomb Raider was developed by Crystal Dynamics and released in 2013 to welcoming applaud and incredible reviews. However, it seems that the development process took a rather sharp turn. This new Tomb Raider project was started in early 2009 and was originally meant to be a much more different game than the final one.  Dubbed Tomb Raider: Ascension (not to be confused with the 2007 fan-made movie), its conception was a world away from what gamers got in the end. Taking inspiration from such titles as Resident Evil, ICO and Shadows of the Colossus, Lara’s reboot début was to be filled with giant supernatural enemies, a child companion that followed Lara, horse combat and explorations in a lavish open-world environment.

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Concept art was already released immediately after the initial game announcement which holds lots of things not included in Tomb Raider’s final draft, and the concept lead many people to believe Tomb Raider was going to become something of a horror-genre game. Before the final Tomb Raider 2013 was released, EIDOS published  a promotional Digital BookTomb Raider – The Final Hours” containing images and a video with the lost Ascension prototype:

“The Tomb Raider name never appeared on Guardian of Light and there was a reason – Crystal was saving that for the next project, what was internally known as Tomb Raider 9, or Tomb Raider: Ascension. Obvious biblical references aside, the team led by creative director Tim Longo was asked to come up with a radically different approach to a Lara Croft adventure. And that’s exactly what they did.

In early design meetings the team started thinking about other games that could inspire a new approach. The emotionally rich role-playing game Ico, the survival horror of Resident Evil, and the towering mythical creatures of Shadows of the Colossus all served as early inspiration. In Longo’s first pass at the design Lara Croft teamed up with a 6-year-old girl named Izumi […] as they adventured through a mysterious island inhabited by ghosts and monsters. Izumi would crawl into small places to help the player, thus creating asymmetric gameplay.

Eventually the player would dicover Izumi’s magical ability to manipulate water and interact with the island. After a few months of work the concept was deemed too ethereal and difficult to understand for Tomb Raider. Izumi was excised and at first replaced by a monkey that would accompany Croft on her adventures. When that didn’t work out the kids and animals were replaced by a more menacing presence on the island: colossal monsters.

In this second full pass at the concept design Lara would ride on horseback and battle against these monsters as they hurled trees at her in sequences reminiscent of a God of War game. Further refinement of the colossal monster concept shifted the art direction into the real of horror, with large zombie-like creatures that would roam a fog-soaked island.

What was intended as a confidential focus test from the Nielsen Group soon became public when one of the participants leaked images and details onto the internet during the summer of 2009. A “Rumored Leaked Photos of Tomb Raider Reboot” thread of the Tomb Raider forums quickly amassed some 3,687 posts from fans who expressed shock over a game that was more Resident Evil or Silent Hill than Tomb Raider. Others worried that setting a game entirely on an island abandoned the Indiana Jones-like globetrotting that was a hallmark of the series. […] Ultimately the horror direction was a shocking twist and focus tests confirmed that the team was “moving in the direction of making the greatest art house game that no one would ever play” […]

In the final game plot there are still some nods to the Ascension name, as we can read in Wikipedia:

Escaping the ancient monastery where she is taken by the Oni, Lara hears from Sam that Mathias is going to put her through the “Ascension“, a “fire ritual” to find the next Sun Queen that will burn her to death if it is unsuccessful. […] Lara realizes that the Ascension is not a ceremony to crown a new queen, but rather a ritual that transfers the original Sun Queen’s soul into a new body; the Sun Queen had learned to become effectively immortal by transferring her soul into a young girl’s body each time she grew old.

Below is listed the most significant changes to Tomb Raider in list form: Read more