New Cancelled Games & Their Lost Media Added to the Archive

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Dragon Empires [PC – Cancelled]

U64 Staff & Contributors
28-12-2022
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Dragon Empires is a canceled fantasy Massively Multiplayer Online Role-Playing Game published and developed by Codemasters, exclusively for PC, at least from 2001 until 2004.

Dragon Empires was officially revealed in September 2001 as we can read on Gamezone:

Dragon Empires presents a world where magic is plentiful and the lives of humans and dragons intertwine.  The world is made up of 100 lands spread over five empires, a world that can be ruled by player clans and a world whose strongholds are guarded and policed by fiercely protective dragons.

Dragon Empires is filled with embattled clans, each striving to prove their superiority in head-to-head group combat, as they aim to rule magnificent cities and, ultimately, empires.  Dragon Empires breaks the mold by placing an emphasis on player-to-player combat and making it an integral part of the gaming experience.  It is open season on all other players all the time, thereby enforcing the concept of player clans forming and ruling sprawling cities within the game’s world.

Although players start out on their own, as they become experienced they’ll be able to form their own clans and take control of entire cities or rule the seas between the lands and make profit and taxes from the land they rule.  Cities can be owned by a clan or taken by force against other clans in real time wars and sieges.  Combat is real time and engaging in an attack is as easy as walking up to a target and using spells or weapons on it.  There are mechanisms to keep the world from turning into anarchy; with the basic rule being that, while a player can attack anyone, they risk becoming an outlaw if the attack is not warranted.  Outlaws become an instant target and can be hunted down by other players or face the wrath of the city’s protectors – the dragons.

“Dragon Empires is a massive and important project as Codemasters continues to embrace new delivery platforms for gaming,” said Ted Carron, producer of Dragon Empires.  “The always-on combative element is something we’re very excited about; the majority of existing MMORPGs are 99% co-operative and relatively slow paced – Dragon Empires is more intense and competitive, driving people into groups where the real benefit of online gaming lies.  We’re confident no other MMORPG will provide the fiercely competitive balanced battles that Dragon Empires will create an arena for.”

For Dragon Empires, Codemasters is promising real progression in the world of MMORPGs and the game will be visually striking in a 3D real time rendered environment.  The game is being developed at Codemasters’ online development facility in Oakhurst, California.

The English language version of Dragon Empires is scheduled to go online in Q2 2002 for PC gamers. The software will be launched as a boxed product with players subscribing on a monthly basis to play.

Using the Unreal Engine, the game was briefly showed during E3 2002 and was scheduled to go into beta in May 2003, as we can read on Gamespot:

In the latest of its newsletter updates on Dragon Empires, Codemasters has announced that the upcoming online role-playing game’s “period of planning has come to an end,” and that the game’s beta test will begin in May 2003, a bit later than was originally scheduled. The update attributes this delay to the addition of features that the game’s fan community requested, as well as graphical updates like improved textures and new character models.

In April 2003, Codemasters announced that the game will be present at E3 2003, alongside further details:

The game, slated for launch in Spring 2004, has already attracted a massive fan base, with more than 120,000 applications received for beta testing.

Dragon Empires delivers an online fantasy world that is both immersive and compelling, where thousands of players socialize, trade and fight individually or in clans, for control of the game’s 50 cities.  At E3, Codemasters will highlight Dragon Empires’ stunning scenery, landscapes and buildings that form Fortitude, the game’s world of five unique mystical empires.  Each empire is ruled by a mighty dragon whose personality shapes the individual look and feel of each empire and its respective cities.  E3 will also mark the first showing of the game’s playable and non-playable characters.  In Fortitude, the lives of humans, monsters and dragons have intertwined to form three playable races – the magical Humans, the heroic Dragonblood and the darker brood of Shadow.

In addition to  these features, the game’s incredible climate engine, based on real weather models, will also play a prominent role throughout gameplay.  With naturally evolving climactic effects, including lightning, rain, snow, blizzards, fog and rainbows, the climate model provides for naturally evolving environments across sandy deserts, hot plains, tropical forests and treacherous, ice-glistened mountains.

Players will be able to experience the world in third or first person. With the game’s draw distance at over a mile, it gives the player a feeling of seeing as far as the eye can see.

During E3 2003, the title was showed and RPGFan, alongside Loadedinc, wrote previews for the game. Thus, RPGFan wrote:

One of the more important gameplay aspects of an MMORPG is how player-vs-player (PvP) combat is handled. Each game in the genre has its own unique system and Dragon Empires is no exception. Bounty hunters, outlaws and contract traders are able to engage in inter-player combat, Civilians on the other hand, are free from all forms of player killing.

Bounty hunters will be free to attack any outlaw and will be rewarded if they successfully dispatch them. Players will begin as civilians and will need to get permits from non-player characters in cities in order to become bounty hunters. These slips have various durations and will likely be cancelled if the bounty hunter is killed. Bounty hunters who fail to complete their tasks become civilians and must renew their bounty-hunting permit.

Outlaws can attack any bounty hunter or trader for their contracted goods. There are many ways to become an outlaw, one of which is by murdering an empire’s venerated beast. These creatures are sacred to each empire and usually have their own treasure horde. Killing one of these creatures will result in becoming an outlaw of that empire and a bounty being placed on your head. Since each empire has different sacred beasts, players can hunt down these creatures, become filthy rich with their loot, and slither over the border to safely count their horde.

Traders will be free to defend themselves against any attacking outlaws to keep their contracted goods safe. Civilians can become traders by accepting contracts to transport goods between empires. These conditional “classes” will give different kinds of players the opportunity to participate in PvP and cooperative play on their own terms.

For its part, Loadedinc told us:

After the demo we asked Peter Tyson, Codemasters community manager, about the pushing back of the Beta and he said that the Beta had been delayed for various reasons including engine changes over the past few months. He did say that a very limited Beta will go live in June, perhaps 100 testers, and then more will roll out. Peter expects a long Beta period before the game is launched around May next year. Peter also stressed the importance of user feedback and Codemasters really want to take their time with this game to get things just right.

Peter was also rather excited about the game’s economy and trading model in which different cities are trying to undermine each other with a strong emphasis on manufacturing and trading. Players will be able to take resources from areas such as farms and mines to the cities where they can be sold for gold or just gain experience from trading. This  means players are also open to attack from outlaws along trade routes making it a risky business. There’s also the ability to refine resources such as iron ore into iron and then manufacture swords, or alternatively you can sell that ore or give it to another player, who may be a trader, to move the resource around the game world. Once items such as swords are created they can be enhanced by adding other items to them such as a fiery ruby to create a fire sword. The game will feature automated production via manufacturing and also crafting of individual items to enhance them further. The game really is economy driven and it’s the one aspect of the game that should provide variety in the types of players and groups that populate the world. Peter expects clans to set themselves up as merchants and no doubt we’ll see groups of players moving goods around the world to drive that economy and city production.

While we didn’t get to see much of the actual gameplay this year, we did get a good look at the game engine and it was one of the most impressive engines powering an MMORPG at this year’s E3. The landscapes look gorgeous and the weather effects are nothing short of stunning making Dragon Empires a real stand-out title. Let’s hope next time we see the game we’ll be able to get deeper into the actual gameplay and player interaction.

However, after months of delay, Codemasters took the decision to cancel the project in September 2004, as Gamesindustry learned it:

British publisher Codemasters has announced that it has discontinued development on Dragon Empires, with the massively multiplayer RPG title being dropped due to “technical issues.”

The bulk of the development team on the game are being transferred to other parts of Codemasters’ operation, and no redundancies have been announced as a result of the cancellation.

Codemasters claims that it still has “long-term ambitions” in the massively multiplayer space, and says that the decision to cancel Dragon Empires is down to technical problems – with the company lauding the “incredible support” from the online community for the title to date.

On Gamezone, we could read further details:

Technical difficulties had been weighed and after deliberation it was decided that further development of Dragon Empires would be halted. It was a sad turn of events for the community, which had eagerly been looking forward to the title.

Gary Dunn, producer of the title, posted a message on the official Dragon Empires Web site, which stated: “We were experiencing unexpected obstacles with the server code, in particular our ability to serve clients at a scale which would have permitted us to launch the game as an MMO. The resolution of these issues was fundamental to the success of the project and ultimate release of the game. Due to the delays, a detailed analysis and review of the game was undertaken over the period of approximately six weeks in which a detailed study of the viability of the project was undertaken.”

After the cancellation of Dragon Empires, Codemasters devoted itself to publishing MMOGs by acquiring licenses from RF Online and Archlord in order to market them in the West. Both games didn’t meet the commercial expectations and Codemasters didn’t renew the licenses. The company then focused on the exploitation of American MMORPGs in Europe, notably signing with Turbine Inc. to market Dungeons and Dragons Online and The Lord of the Rings Online.

However, Codemasters gradually withdrew from the MMORPGs ‘ sector, by aiming to refocus on the development of racing games, in particular through several emblematic licenses such as the F1, Dirt, GRID and Project Cars series. The studio was acquired by Electronic Arts in February 2021.

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Revival (IllFonic Ltd) [PC – Cancelled]

U64 Staff & Contributors
27-12-2022
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Revival is a canceled Free-To-Play Sandbox Massively Multiplayer Online Role-Playing Game developed from 2012 to 2016, exclusively for the PC, by IllFonic Ltd.

Set in a medieval fantasy world inspired by H.P. Lovecraft, Revival was revealed in July 2013 by its developers as we can read on Engadget:

Revival’s recent reveal caught our attention with its promises to “revive the MMORPG” by way of a gorgeous sandbox. Developer IllFonic went on record stating, “It’s a genre that has a bad name. There are hardcore fans in the genre, but there’s no reason why the whole world shouldn’t be playing this genre. The genre has been locked out with a bad taste for a decade. It’s time to rethink it, go back to the drawing board, start from scratch and tell everyone that an MMO isn’t a stat-chasing, quest-ignoring snorefest.”

Music to sandbox fans’ ears! Naturally, we were keen to hear more, so we spoke with IllFonic Creative Director Kedhrin Gonzalez and surprisingly received very few “we can’t talk about that yet” responses. Just remember as you make your way through our interview: A lot can change between the prototype and final release version, so don’t unbridle your skepticism just yet.

Gonzalez explained that the point of Revival is right in its name: to “revive the MMORPG,” and by that they mean the sandbox MMO RPG. We separated those letters for for a reason. The game really is supposed to be story-driven, but think less Star Wars: The Old Republic or Guild Wars 2 or Elder Scrolls Online and more Asheron’s Call 2. The game is story-driven because of its real “live story” approach that utilizes real people: GMs.

“The live storytelling aspect is like playing Skyrim, but imagine someone is playing as the dungeon master, opening and closing things all over the place,” he told us. “The game is 100% non-linear, so there are no useless quests. You won’t encounter something that’s not really worth your time as a character. Sure, we may have some bland quests like the “kill x for me please” quests, but that’s filler, and it’s good to have those. Most of our quests will have serious sit-down-and-think scenarios.”

What kind of scenarios? Gonzalez said that the current prototype has missions to help the devs study how karma works in an MMO setting. One mission involves a lord concerned about a wraith in a nearby crypt, and it demonstrates a whole range of reactions based on your character’s karma. “If you have good karma before you approach the city, the guards love you and welcome you in; you can go right up to the lord of the kingdom and talk to her about her plight,” he explained. “But if you’re neutral, the guards are cautious of you and won’t let you go near her until you prove your worth with a sub task. If you’re red, the guards won’t even let you in the city, and if you are severely red, the guards will attack you on sight.”

The monsters have their own reactions: “If you’re blue and go to the crypt, all of the creatures will attack you. If you’re grey and go to the crypt, the wraith’s slaves will stand by and watch you with caution as you move throughout the crypt; the wraith will talk to you and give you a mission, but if you deny it in the dialogue, she’ll attack you. If you’re red, the creatures will be on guard still, but the wraith will talk to you with more open arms and won’t attack you if you deny the quest. At the same time, if you are blue originally but somehow turn grey or red on the way to the crypt, the wraith will adjust and have dialogue based around these new decisions you have made. You could be a red player normally but a blue player in areas that matter to the lord, who will therefore talk to you.”

Gonzalez also promises there won’t be any exclamation points telling you where all the quests are. “There is barely a linear track in Revival. I would say the only linear track that exists in Revival is that of your individual skills,” he said.

The game certainly sounds much more dangerous than other MMORPGs. For starters, you can kill anyone, even important NPCs. Granted, if the NPC dies, GMs might conduct an event in which players need to revive the NPC, or a relative might replace her, but it is something you can do. Thieves, you can steal anything from anyone, both player and NPC, as well as from shops run by players or NPCs. You can just kill and loot people too.

Of course, for your crimes, you might be sent to jail. “Blue” towns (with positive karma) will have more guards who will try to protect people, though they can be killed. Then you have “blessings,” items that protect you from PvP, looting, and thievery. The game is free-to-play, and players can both earn and buy “standing points,” the game’s currency, but IllFonic wants “penny play,” so blessings themselves are supposed to be cheap and accessible. Guilds in blue towns can even work toward granting blessings for whole regions. However, you can’t just buy a “get out of jail free card.” As the name implies, blessings come from the gods, and if your actions offend them, you may find that they won’t offer you their protection.

So just how do you accrue karma? We’ll let Gonzalez explain.

Karma is measured on a lot of different layers. Your karma as a player is definitely on a blue-grey-red system, with shades in between. However, that is general karma. Every NPC, town, guild, kingdom, god, monster, animal, etc. you interact with will have its own karma rating for you as an individual. Every single thing you do in the game from the moment you create your character (including what city you choose as your starting place) will affect your karma. If you mine ore non-stop all day, grinding it, depleting resources all over the place, the god of nature will dislike you. Wild animals are more likely to just randomly attack you. If you mine ore, being mindful of what you’re taking from the planet, the god of nature will reward you. Even the amount of time you play has an impact. And some quests are available only to people of certain karma levels. You’ll even have access to dialogue choices from certain individuals based on your karma. Sometimes, NPCs will randomly say bad things to you or offer you things that other players would not receive, depending on your various karma standings.

City karma is something based on real-world factors. Economy and crime play massive roles in Revival. I’ll use the example of a city that doesn’t get much trade. When the economy goes down, the count of the guards goes down. You’ll visually see the city start to decay. When this happens, red players can move in and start killing NPCs/players, looting, stealing… eventually, if the city is unable to heal itself, the karma of the city will turn red. That means it’s a city that welcomes red players.

Not all red players are murderers and thieves, though. Red players can be merchants, craftsman, and more. We have a carefully orchestrated system where players can be good or evil and still play the way they want to. This system goes very far in depth, and it’s one of the main thing’s we’re prototyping right now. There will always be a city that is on the three major poles of the karma system and permanently locked in so players of a specific playstyle aren’t forced out, and if you choose a very good karma city to start in, you will start with very good karma.

We didn’t get too many more details on how crafting works, but we might assume that like a lot of interactions in the game — from stealing to lockpicking — it involves minigames. Stealing is simple; a dice roll lets you know whether you were successful or not, but your window of opportunity to actually steal closes quickly, such that if you take too long to look through items you shouldn’t be looking at, a quest NPC may get mad and maybe even call a guard on you. You need to get in, find what to take, and get away. We also learned that some repetition may be involved in skilling up crafting and related skills, but books can also teach you skills and there’s a hint that watching master crafters can help you learn too. And master craftsman can also customize decals and items to a certain degree. Use-based item decay is still under consideration.

What about the visuals? The game is being made with Unreal Engine 4, and there is a lot of focus right now on how much the game can handle in terms of not just quality graphics but animations and sounds. Unless you have the right magic or skill, you have to look at the way people move to determine how strong they are or how low on health they are. A fighter with his hands at his sides will probably be easier to take on than someone holding her arms up and bouncing around where she stands. The game, in some ways, is supposed to be intuitive. While there are skill-ups, the idea is that an FPS pro should theoretically be able to pick up a bow and be pretty good at it because of natural player skill, not stats. Stats are supposed to help when it comes to equipping certain items, but you won’t be shooting arrows at someone point blank and seeing “miss!”

The game will be free to play; beta, Gonzalez tells us, will hopefully begin when the game is 35% complete.

Over the months, several other features were announced, and in July 2015, Massivelyop got an interview with Kedhrin Gonzalez: Read more

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End of Nations [PC – Cancelled]

U64 Staff & Contributors
26-12-2022
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End of Nations is a canceled Free-To-Play Massively Multiplayer Online Real-Time Strategy game, which was later a Multiplayer Online Battle Arena game, published by Trion Worlds and developed by Petroglyph Games from 2009 to 2013, exclusively for PC.

This project between Petroglyph and Trion Worlds was first mentionned in April 2009 by its publisher, as we can read on Gamespot:

(…) Trion World Network has announced that it has partnered with Petroglyph on an as-yet-to-be-named massively multiplayer online real-time strategy game.

Aside from talking up the Petroglyph team’s previous work on such titles as Command & Conquer and Dune II, Trion revealed no relevant gameplay details about the upcoming project. However, Petroglyph appears to be taking an ambitious approach to the project, with Trion CEO Lars Buttler saying of the game that it will be “the world’s first truly high-end MMORTS.”

The game was officially revealed in April 2010:

Trion’s MMORTS collaboration with Petroglyph is also expected to arrive for the PC next year. Titled End of Nations, the RTS features a persistent online world in which gamers can engage in solo or multiplayer combat with “thousands of other gamers across the gigantic battlefields.”

Details on Petroglyph’s latest effort remain light. However, Trion did note that players will be able to develop their own commanders and establish a headquarters. Gamers will also be able to unlock new vehicles, weapons, and technologies through combat, as well as crafting and researching.

Further details about its background emerged later:

We are introduced to the universe of End of Nations with a synopsis of the events leading up to the present conflict. 50 years into the future, a worldwide economic crisis and collapse has resulted in a cascade of shortages and conflicts. This coincided with the failure and dissolution of almost all of the world’s governments. As the world descended into anarchy, a savior emerged. The United Nations stepped in to restore order through aid and military force. The public reaction to this was initially enthusiastic. As the governments of the world had failed, the United Nations, now renamed the Order of Nations (ON), became the sole government of the world. To the shock and horror of the populace, this new government began to abduct people in the middle of the night and execute its citizens for asking questions. As a result of this oppression, resistance movements emerged.

When the game begins, the resistance has been underway for quite some time. The Liberation Front, led by American war hero General Alec Chase, and the Shadow Revolution, led by former Order of Nations assassin Monkh Erdene, are part of the Coalition, an alliance against the Order of Nations. The commander controls part of the Coalition forces sent to assault the Typhoon Cannon, a massive artillery turret, at the Order of Nations base at Widow’s Wall. The leader of the Order of Nations, General Sevastian Korvus, is also present, residing within the Typhoon Cannon. The assault on the Typhoon Cannon is successful. The cannon is destroyed and Korvus is killed. Yet, the allies bicker. With the destruction and collapse of the Typhoon Cannon, there is now a giant breach in Widow’s Wall. Alec Chase of the Liberation front wishes to advance further into the base, but Monhk Erdene of the Shadow Revolution counters that their coalition has captured the Siege Cortex and that further advance into the base is not part of the mission. Land battleships from the Order of Nations, known as Assault Panzers, approach from both sides of the breach outside the wall. General Chase asks Monkh to engage the enemy forces so that he can assault the inner base. Monkh apologizes to Chase, reiterates that it was not part of the mission, and the Shadow Revolution forces withdraw. Outflanked and without sufficient support, General Chase is forced to withdraw as well, sustaining casualties in the process. Allies no more, the Liberation Front and Shadow Revolution continue to fight the Order of Nations while also fighting and sabotaging each other for control of territories and influence over populaces. And thus the stage was set for further conflicts between the three factions.

Factions

There are three factions in End of Nations. Two of those are playable; the Liberation Front and the Shadow Revolution. The third faction is the unplayable computer controlled Order of Nations, the main antagonist of the game.

Liberation Front – Increasing chaos led the world leaders to give up control to the Order. The Lord Chancellor of England, Mary Dickinson, refused to give up control of her people. She decided to fight against this regime, and began distributing a digital pamphlet codenamed “The Sentinel”. She began to coordinate these dissidents. The Liberation Front believes that people should be free to elect their leaders and form their own governments. They will go to the grave to fight for this right. The Liberation Front has two classes: Spartan and Patriot, each with their own advantages and special abilities. The Spartan is all about heavy armor and point defense. The Patriot class is more of a support class, and with their support powers, they are able to greatly influence the battlefield.

Shadow Revolution – A few people believe that the new regime’s oppression of the people was far too violent. These dissidents were killed, including Donald Poole who oversaw the rule of Eastern Europe. His son, Robert Poole, and Sabal Dasgupta came together and secretly formed an army of their own known as the Shadow Revolution. As former members of the Order of Nations, they arm themselves with weapons and technology stolen from their former organization, along with knowledge of the inner workings of the Order. They are trying to realize Pierre Frenay’s vision of a firm but benevolent rule. The Shadow Revolution has two classes, the Wraith and Phantom classes, each having their own advantages, and special abilities. The Wraith class is all about fast hit-and-run tactics. The Phantom class is all about stealth tactics and ambushes.

Order of Nations – Perverted from one man’s dream of a peaceful world government, the Order of Nations rules the globe with violence, oppressing the masses and crushing any in their path. The Order possesses extremely advanced weapons systems, developed using siphoned off money and resources, in hopes of creating an army dedicated to establish a one world order. This army was advanced and powerful enough to overwhelm the militaries of the world’s nations and take control with ease. Order of Nations is the AI controlled, third faction in End of Nations. Order of Nations units can be seen in most PvE and some PvP maps. Order of Nations units and buildings have darker color scheme than Liberation Front or Shadow Revolution.

During its development at Petroglyph, the title was showed numerous times at the press, during E3 2010, Gamescom 2010 and E3 2011, and Gamespot was able to write several previews for the game: Read more

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Breakaway (Amazon Games) [PC – Cancelled]

U64 Staff & Contributors
26-12-2022
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Breakaway is a canceled team-based multiplayer brawler game published by Amazon Game Studios and developed by Amazon Game Studios Orange County (formerly Double Helix Games) from 2014 to 2018, exclusively for PC.

Breakaway was officially revealed in September 2016, during the TwitchCon as we can read on MMOculture:

Amazon Game Studios, a subsidiary of e-commerce giant Amazon, today announced several new online games, the first titled Breakaway. Breakaway is a 4 vs 4 mythological brawler where players assemble a team from a roster of legendary warriors, including the relentless gladiator Spartacus, the twisted sorceress Morgan Le Fay, and the bloodthirsty warlord Vlad the Impaler.

At the start of each round, warriors can summon persistent buildables onto the playing field that dynamically alter the game. Buildables can besiege foes, shield teammates, or create new pathways through the arena. Players battle across several fabled locations such as El Dorado, Atlantis, and Styx to control the Relic, defending it from attackers, and smashing it into an opponent’s base.

Breakaway is powered by Amazon Lumberyard and integrates directly with Twitch (also owned by Amazon). Breakaway introduces four new ways for the Twitch community to interact with broadcasters.

  1. Metastream allows streamers to customize their broadcasts with real-time stat overlays.
  2. Broadcaster Match Builder lets broadcasters invite their followers to join their matches.
  3. Broadcaster Spotlight adds to the excitement of streaming. It tells players when they’re in a match that’s being broadcast, and lets them follow the broadcaster with a single click.
  4. Stream+ gives broadcasters new ways to interact with their viewers through polls, and by allowing viewers to wager loyalty points that are redeemable for in-game rewards.

The game went into playable alpha in December 2016 and Polygon was able to write a short preview about it:

We got to go hands-on with Breakaway at Amazon Game Studios recently and were pleasantly surprised by the game’s depth, considering how easy it was to pick up and play. The game’s heroes include a mix of archetypical warriors, like the tank class Black Knight, melee swordsman Spartacus and spellcaster Morgan Le Fay, who do battle on fabled battlegrounds such as El Dorado and Atlantis.

Each hero has a pair of structures he or she can build, including turrets, walls and healing shrines. Players can build one structure per round to cut off routes or support their allies in a push into the enemy’s base. Adding to the depth are upgrades that players can purchase mid-game with gold they earn over the course of battle. There’s a complexity in Breakaway underpinning the brawling, relic-running action, but with a little coaching from the developer, much of it was easy to grasp within an hour or so.

While securing the relic and dunking it into the enemy’s home base is the primary goal, players can score through other means. A full-team kill will also win your team a round. And if the in-game clock ticks down to zero and you’ve got control of the relic on your opponent’s half of the map, you’ll win that round. Those two scoring opportunities make for some of the best, most nail-biting moments in Breakaway, as you either frantically try to hunt down the last surviving player on the enemy team before the others respawn, or desperately pass the relic to your teammates to secure field position.

After months of playable alpha, however, Amazon took the decision in October 2017 to make a major overhaul on its gameplay, after they already made one for its playable heroes some months before, as we can still read on Polygon:

Amazon Game Studios’ competitive sports brawler with a mythological twist, Breakaway, is getting a major overhaul, the studio said today. After a months-long public alpha test, Amazon says its going to take time to “iterate and evolve” Breakaway’s core gameplay.

And it sounds like the Breakaway team intends to go a bit dark while that happens.

“Over the course of the Alpha we received a lot of feedback from you that we’re taking to heart,” the Breakaway team said in a post on the game’s website. “In order to get it right, we’re letting our team take the time to iterate and evolve Breakaway’s core gameplay to deliver what you’ve asked for. We aren’t sure how long this will take, but we think it’s the right thing to do for the game, and you, the community.

“We won’t be hosting Alpha matches during this time, but we still want to hear your ideas for how to improve the game, and we’ll share our ideas for your feedback.”

The Breakaway public alpha ran from June to September. The game had been playable on PC in private alpha tests prior to that, but in June, Amazon made major changes to Breakaway’s gameplay and its playable heroes. The studio shifted away from characters based on historical and legendary figures to more fantasy-based heroes, with an art overhaul to match.

Unfortunately, in March 2018, only 5 months after the announcement of the overhaul, the project was ultimately cancelled, again, covered by Polygon:

Amazon’s in-house game studio has put an end to development on Breakaway, the competitive fantasy sport brawler that Amazon Game Studios announced in 2016. In a statement posted to Reddit, developers announced that the game is “no longer in active development.”

Breakaway’s cancellation was confirmed this past weekend. Amazon Game Studios’ previous update on the game indicated that the development team was overhauling the title and taking “the time to iterate and evolve Breakaway’s core gameplay.” That was in the wake of a softer reboot of the game that amplified the game’s fantasy elements and redesigned its cast of characters.

Here’s Amazon Game Studios’ update on Breakaway from the game’s subreddit:

Since our last announcement, we have worked to implement community feedback and iterate on Breakaway’s core gameplay. While we have developed many ideas and made a lot of progress, we are also setting a very high bar for ourselves. In spite of our efforts, we didn’t achieve the breakthrough that made the game what we all hoped it could be. After a lot of soul searching, the team decided to focus on new ideas. As a result, Breakaway is no longer in active development.

The beginning in the video game industry by a giant like Amazon was mostly tumultuous: in addition to the cancellation of Breakaway, the company took 6 years to develop another multiplayer game, Crucible, released in May 2020, before being shutted down in November of the same year. Their other game, New World, was released in September 2021, after also experiencing some setbacks during its development.

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Unknown Heroes (Mindware Studios) [PC? /PS3? /Xbox 360? – Cancelled]

U64 Staff & Contributors
25-12-2022
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Unknown Heroes is a canceled World War II Role-Playing Game developed by Mindware Studios, around 2005-2006. Platforms were never mentionned.

Very few information are currently available for this game. It was first mentionned in September 2008, on the Czech website Visiongame during an interview of Mindware’s lead designer Nikola Matoušková while talking about another cancelled project, Voodoo Nights:

V.G.: Not so long ago, Voodoo Nights was remembered in an article about canceled projects. No one really showed interest in such an interesting game?

N.M.: Many people showed interest, many publishers were even enthusiastic. But as I said before, pushing a new IP address is nearly impossible these days. Especially for a small business in the East. There were a lot of negotiations going on, but in the end, it all kind of fell apart. After a while, one of our main stakeholders came up with the game Army of Two, which had an almost identical concept. Interesting coincidence. And we had more of those irons in the fire, for example the very promising WWII epic RPG Unknown Heroes. There, too, all the negotiations kind of burned out in a weird way. Now I’m still waiting for another big publisher to unexpectedly release this game.

Years later, a low resolution gameplay video was published by one of the folks from Visiongame, showing what looked like a tactical squad based Third-Person Shooter:

During their existence, Mindware had another project that got canceled, with their MMOFPS Mindhack.

If you know someone who worked on Unknown Heroes and could help us preserve more screenshots, footage or details, please let us know!