Nexus: The Jupiter Incident was a sci-fi RTS game developed by Hungarian-based Mithis Entertainment, published by HD Interactive on PC in 2004 (you can still buy it with the latest updates on Steam). While the game did not sell well at the time, it still gathered a cult following of fans, thanks to its different approach to strategy space battles. Soon after releasing Nexus, Mithis started the development of a sequel, but due to the descending market of strategy titles, it was conceived as an action oriented space combat game, with the ability of traveling in a vast galaxy from planet to planet. Seeing the differences from the original Nexus, HD Interactive decided that it would have been better to use a different name and the team reused the title of one of the test prototypes from their first game: WARP. The old W.A.R.P. prototype was a failed proposal for a fighter-pilot based version of the original Nexus, designed when the project was in development limbo and they tought to change its gameplay. In 2005 Mithis developed an early demo for Nexus 2 / WARP, but unfortunately the original Nexus was not selling enough and the market seemed to be too small not only for space-strategy games but for space games in general. So eventually HD decided not to risk it further and they cancelled the Nexus 2 / WARP reboot project. This was the end of the original Nexus saga by Mithis.
On August 2011 Most Wanted Entertainment (a team founded by former Mithis developers) tried to pitch another, different sequel to Nexus on the crowdfunding website GamesPlant, but without luck. In september 2012 they tried again with a campaign on Kickstarter, under the title of “Nexus 2: The Gods Awaken”, failing again to reach their goal. Everything seemed lost, but in September 2015 Nordic Games acquired the intellectual property of Nexus so we can speculate that they could resurrect this series in the future, as it already happened with the lost chapter in the Aquanox series.
Super thanks to Nordic Games for the contribution!
Frontier is a lost PC game pitched by Warren Spector to Origin Systems with a planned to ship date of Q2 ’94, and was described as a system simulation of the taming of the old west. The high concept of this game was that the player would be a pioneer and they would have to explore and settle a new nation. The player would have to choose what route they would take, the Oregon Trail, the Santa Fe Trail, what time of the year they would travel, how many settlers would travel with them and where they would eventually stop.
Once the player had decided where to settle they would then choose what they would like their settlers to specialize in like farming, mining or becoming a rancher. The player would then have numerous natural disasters they would have to deal with like earthquakes and floods, natural predators, “Indians” (Native Americans), and what is described as “bad men”. There would also be NPC players that would be direct competition to the player.
The players initial goal was to attract new settlers to their settlement so that they can start a community and make a prosperous new town, this would lead to trains stopping at the town, mail routes, and banks. Ultimately the goal was to attract the county seat and then the state capital so that your settlement could request to become a state, but the player could decide how they would get there, striving to keep their settlers happy or becoming a rich tycoon.
Interestingly this game was pitched as more of an educational game that was akin Civilization, Sim City and Railroad Tycoon, they were looking to attract the audience of these games but were also looking at it being utilized in schools. This would have been Origin’s first simulation, and as far as I can see this game went no further than this pitch document.
Darkworks was an independent French studio not widely known by the average gamer, but they released a couple of fan favorite games as Alone in the Dark: The New Nightmare (Playstation, Dreamcast and PC) and Cold Fear (PS2, PC and Xbox). The company was founded in 1998 and unfortunately was closed down in 2012, because of economic issues and difficulties in founding new publishers for their titles. In about 15 years of activity, Darkworks were able to successfully complete and release only 2 games, while all their other projects were either cancelled or moved to different developers. There are already a good number of interesting lost Darkworks games in the Unseen64 archive, but many more still remain unseen and even if we tried multiple times to get in contact with people that worked at the studio, it seems almost impossible to know more about what happened to them or to their cancelled games.
Between all those unfinished projects once in development at Darkworks, there was what it looks like a reboot of the OneChanbara series originally created by Tamsoft, the games in which to play as a girl in bikini and cowboy hat, slashing down enemies with double katanas. In the images archived below, you can see that they created a concept art for a western version of Aya (the “clothes” are identical to the original character), one of the main protagonist of OneChanbara. We can speculate that Darkworks tried to pitch to D3 Publisher a new OneChanbara game for PS3 and Xbox 360, during the same time in which D3 also tested a western version of their popular Earth Defense Force series by letting Vicious Cycle Software to develop EDF: Insect Armageddon. Unfortunately for Darkworks, this project was not greenlighted and we’ll never know how good a French OneChanbara could have been. Only a few concept arts remain, to preserve the existence of this lost pitch.
P.I.G. is an interesting 3D platform adventure game that was in development by Team 17 for Playstation and PC, with a planned release in spring 1999. The project was started around 1996, following Mario 64 and the 3D platform craze of the late ‘90, but even with some great premises PIG was cancelled after more than 2 years of development. The only proof of existence of this game seems to be its announcement in an old Team 17 special in Total Control magazine issue 1 (November 1998), where the studio shown many of the projects they were working on, along with Phoenix, Stunt Gran Prix, Project WM and Worms Armageddon.
P.I.G.’s gameplay would have followed similar style of popular games in the same genre as Banjo Kazooie, with the main character being a pig named George, working as a private investigator (this explain the title’s acronym: Private Investigator George) hired to solve the mysterious disappearance of a bunch of piglets, kidnapped by the evil Dr. Gotem in the strange and puzzle filled Fun Dazzle Magic Land theme park.
8 main themed areas (as Mars, the Arctic, Fairy Tales, a Volcano, etc.) were planned and each theme was subdivided into 3 or 4 sub-levels, filled with areas to explore, traps and puzzles, giving a total of around 40 different environments to play in. Lots of different minigames were also available to players, as arcade machines featuring PIG-style versions of some classic games and surreal sections where George was swallowed by a giant pumpkin lantern or shrunk to minute size. George would have used different outfits for each area climate, for example by wearing a sweater and wool hat in the snow level, and more than 60 NPCs (between enemies to fight and friends to help) would have moved around the world.
While this kind of gameplay could not be the most interesting one by today’s standard, back in the day when 3D platform-adventures were some of the most loved games, PIG could really have been a hit. After its reveal in Total Control Magazine, the project seems to have been vanished forever and there are no more info available on its features or why it was cancelled. In an interview by MCV with Team 17 Co-Founder & CEO Debbie Bestwick, she remember how in late ‘90 the huge success of Worms made them to lose sight of how to develop other great games, and they lost a lot of money on a series of unreleased projects:
“For around ten of the past 25 years, all of them ironically post-Worms launching, we came so close to losing the business numerous times due to game slippage, less than smart business decisions and publisher traumas. Worms changed everything about the company in 1995. Prior to that we were doing some very cool stuff – similar to what we are doing right now actually – with amazing games talent from around the world and I often wonder what else we would have done had Worms not landed. We should have stayed true to what we had been doing, but overnight nothing mattered but Worms. We really thought we were superstars and everything we touched would turn to gold, but the reality was that a lot of money was wasted on games that were never released. These included Rollcage, Allegiance, Witchwood, P.I.G, and so many more I won’t mention. I’d say, looking back now, that the Worms IP was as much a Godsend as a poison chalice.”
Thanks to Ross Sillifant for the contribution! If you know someone that worked on this game and could help to preserve more screens or videos, please let us know!
Silent Hill: Cold Heart was a pitch for a new Silent Hill game that eventually became Silent Hill: Shattered Memories. This pitch came to light when the developers Climax Studios held a competition to give away eight copies of the document to fans, who since have uploaded it to the Internet so that other fans can enjoy it. Cold Heart was planned in 2007 by Climax for the Wii and would have been published by Konami.
Cold Heart would have followed Jessica Chambers an athletic but emotionally vulnerable college student. The protagonist would have recently being talking to a psychiatrist after being plagued by horrific nightmares and being unable to sleep. These distressing circumstances lead to Jessica leaving her college town and going on a road trip to go back to visit her parents, on the way back Jessica becomes caught in a blizzard and so follows an ambulance that leads her to the town of Silent Hill. This is where the game would begin with Jessica stranded and needing somewhere to stay the evening: she explores the town, but now her nightmares start to become real.
The game would contain the usual elements of a Silent Hill game but would use features of the Wii such as the Wiimote to control where the player shines the flashlight. The Wiimote was to be used for a large number of controls in the game, in combat the player would swing the remote to enact the actions on the screen, it is also noted that the sound of hitting an enemy would play through the speaker on the remote. The remote would also be used for when puzzles needed to be solved, using push, pull and turning motions. Also for puzzles certain audio cues would be played through the remote that would hint on how to solve them. The remote was also going to be used for interactions with other characters, allowing you to point, nod or shake your head.
The “world’s first real psychological horror” is how Silent Hill: Cold Heart is described in the pitch, this is because of the ways in which the game would tailor itself to the individual, creating unique experiences for different players. These experiences that would change would be story events, dialogue, sound cues, monsters and even camera field of view. Profiling was one of the ways this would be done when certain questions were asked by Jessica’s psychiatrist, the players answer would be logged, also your response to events would also be tracked, thus building up a psychological profile for the player. Climax also wanted each player’s psych profile to be shared and compared to friends over Nintendo Wi-Fi Connection.
Climax also wanted to change the way that the player can use their inventory, rather than being able to collect many items, it would be restricted to what could only be worn or stored on the body of Jessica, or in a small backpack the player could use. This was because Climax wanted to have survival type elements to the game, with the player having to find new clothes to protect themselves from the blizzard that would rage through Silent Hill. The player would also have to eat food and drink water to maintain their health. These items would not just maintain the health of the player though, it would also maintain their body heat and stamina.
There are a few puzzle examples also noted in the pitch document, such as the metal detector, the player would have to slowly move the Wiimote and use the audio cues of beeps from the remote to find hidden objects in the snow. “Sewer Fishing” is also another puzzle noted, this is where the player would have to try and collect a key while using rumble and audio cues to fish it out.
The main technical features that are mentioned in the document are that the game would have dynamic weather, mentioned are updated fog effects from Silent Hill: Origins, these would allow the fog to react to the different shapes of the environment. The variables of the weather would also change so that the player would have different intensity of the blizzard.
Climax also wanted the game to be seamless, to do this they were going to “stream” content ahead of the player by anticipating where the player would guide Jessica, this would mean that there would be little to no loading times in the game. They also wanted to push photo-realistic graphics on the Wii and were confident that they could “redefine” what people could expect from real-time graphics on the WII.
One other feature that was mentioned, pending talks with Nintendo, was the integration of players Mii, their local weather and news. Climax wanted to be able to quote this in the game so that it would “spook” the player. With the Mii integration they wanted to use certain aspects of the user created Mii such as hair colour and project them on to the main characters in the game.
Contained in the document is a large description of some exploration, combat and puzzle solving, if you would like to read through this to see some of the experiences you would have in the game, please download and read the pitch to get a detailed understanding.
Ultimately, Cold Heart was never realized but a few details were used in Silent Hills: Shattered Memories as the cold and harsh environment, the use of a psychological profile to change some situations and parts of the plot. This pitch is however a really interesting look into how a different version of one of the top rated survival horror games could have looked like. Shattered memories was released for Wii in 2008 which was essentially a reimagining of the very first Silent Hill game, and it reviewed fairly well, it does however leave questions of how well a different story and character would have done.
If you have any more information on this game or any questions, please don’t hesitate to leave a comment below.
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