New Cancelled Games & Their Lost Media Added to the Archive

Zenith (Climber) [N64 – Cancelled]

Zenith (also known as Climber in its early days) is a cancelled action / racing game hybrid planned for Nintendo 64 that was in development by DMA Design, the studio that created such popular games as Lemmings and the first Grand Theft Auto, other than cult titles as Space Station Silicon Valley and Body Harvest. Before working on the new 64 bit console, DMA already had a successful collaboration with Nintendo on the SNES with Uniracers, an original racing game in which players use unicycles to compete in high-speed tracks while doings tricks to gain more acceleration. In 1995 DMA pitched a new ambitious sandbox project to Nintendo for the yet-to-be-released Ultra 64: Body Harvest. Nintendo were quite interested in such an interesting concept, so they worked together with DMA for 2 years, before to split up because of delays and different views on how the game should have been played.

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While Body Harvest was heavily publicized by Nintendo as one of the first games for their new console, another mysterious project was also in development at DMA for the Ultra 64, with a work-in-progress title of “Climber”. Climber was never shown to the public in any form but it quietly popped up in some early N64 release list, also to be published by Nintendo like Body Harvest. Without any more info about the project, some magazines even speculated that the game would have been a N64 version of Ice Climber, sometimes referring to it as “Ice Climber 64”.

Only many years later we found out that Climber was not related to Nintendo’s Ice Climber and DMA even changed the name of the project to Zenith after a while. The Zenith team was composed by a few young members of DMA Design: Andrew Eades, Andrew West, Richard Ralfe, Frank Arnot, Gary Thompson, Doug Smith, Paul Reeves, David “Oz” Osborne and John Gurney.

As it happened with Uniracers, Zenith was going to have an original twist to the racing genre, in which players were able to choose among a good number of characters to combat and run to the top of various towers with different themes (for example medieval and wild-west levels), avoiding obstacles and fighting against other competitors. There was a wide variety of available characters in the early prototype of Zenith, such as humans, strange creatures and aliens. Characters were able to walk, run, jump, climb, hang and swing through the different hazards of the levels and had different combat moves, a few simple punch and kick moves plus a unique special attack.

We had a really innovative split screen effect that showed the leading player on top but as the follower caught up the split would start to rotate until it was vertical as they were side by side. The effect of an overtake was really awesome as the split would turn upside down as the bottom player became the top player. It’s hard to describe in words. I left DMA to go to work for Virgin Interactive but I think you can see the ideas of Climber in the agency towers of Crackdown. – Andrew Eades, Climber Lead Programmer

In this old photo of Richard Ralfe (Body Harvest level and game designer) taken at the DMA offices during the development of Body Harvest and Zenith, we can see on the wall what could be a group image of some of the characters from the game.

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This seems confirmed thanks to an hidden Easter egg: on the walls of one of the ancient buildings in the Java level on Body Harvest there is a texture that show characters from Zenith, hidden in there by a former Zenith dev. Thanks to JaytheHam who found this texture, we can notice how the characters from the poster in the photo are quite similar to the ones on the texture:

From the few info available we can speculate that Zenith would have been a more complex and “mature” version of Iggy’s Reckin’ Balls (a rather obscure racing / action game with tower-based levels developed by Iguana Entertainment and released for N64 in 1998), mixed with a little of Super Smash Bros.

Zenith was basically a vertical obstacle course racing game – first to the top wins. [below] is the original concept image for the Zenith project. Drawn by David “Oz” Osborne – Head of Art at DMA… this is currently on the wall of his office. – Frank Arnot

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Unfortunately because of the many problems and delays with the development of Body Harvest, DMA Design decided to cancel development on Zenith and to move that team to help finishing their most important project for Nintendo. As we can read in an old article published on Edge Magazine issue 121:

On its return home, DMA noticed a distinct pattern emerging – more bad news. Body Harvest was being developed alongside another game called Zenith – an original mix of platform and racing action. Zenith was to be canned and several people were given the unpleasantly singular option of joining the Body Harvest project. It was a difficult situation and White found himself “trying to motivate people who didn’t want to be motivated.” When tensions reached breaking point, about ten people decided to leave en masse. White describes the episode as “a lot of fun,” in the same way that crashing your car is a lot of fun. It is easy to imagine that Body Harvest may never have reached completion without White’s intrinsic skills of diplomacy.

We tried to get in contact with people from the original Zenith team and they were able to share a few more memories about this lost game with us, but unfortunately they were not able to find any screenshots left from the project. If you worked on this game and still have images left from the project, please let us know!

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Untitled Wave Race: Blue Storm Sequel [Wii – Pitch / Cancelled]

In 2009, Nintendo Software Technology, some of the developers behind Gamecube launch title Wave Race: Blue Storm, were attempting to get a new entry in the Wave Race series into production for Nintendo’s Wii console.

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The project began midway into the year, in the aftermath of their previous Wii title, best known as ‘Project H.A.M.M.E.R.‘, which was shut down after a tumultuous development of 5 and a half years. ‘H.A.M.M.E.R.’, which had evolved into the more casually oriented ‘Wii Crush‘ by the end, was a costly misstep for both NST and Nintendo at large. Not only was the financial toll reaching into multiple millions of dollars, the company lost over half of its entire workforce during a staff exodus as a result of it, due to reportedly poor working conditions, and accusations of nationalism levelled against the management; among other reasons.

Understandably, the ordeal left NCL with trepidations about entrusting NST with another large scale project, but a small team of developers at the company remained optimistic that the subsidiary could still see a resurgence. They proposed creating a new game in the Wave Race franchise for the Nintendo Wii, which would have taken the series to new territory with the introduction of motion control.

The project was lead by experienced NST engineer, Yoon Joon Lee, and designer, Rich Vorodi. The two were previously a part of the last Wave Race game, Blue Storm, which released in 2001 at the launch of the Gamecube. Vorodi, in particular, had been involved in a variety of ways: he had a hand in the both physics and level design, as well as voicing the character, Ricky Winterborn. Partnering with engineer/programmer, Jonathan Bryant, they began to develop a test prototype to present their ideas to Nintendo’s higher ups.

At the heart of the concept was an experimental, new control scheme, which revolved entirely around the motion sensing tech of the Wii remote. Users would hold the controller in a horizontal position with both hands over its face, emulating the handlebars of a jet ski. Tilting left and right steered the direction of the watercraft, while twisting it forward and backwards controlled acceleration. The device would vibrate when the virtual handlebars were tilted to their furthest limits. There was consideration for utilising the Wii remote’s speaker to blare out engine noises, too, but it is unknown whether or not this feature was implemented into the prototype build.

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By connecting a Wii balance board peripheral, it was possible to add an extra dimension of control to the game. Applying pressure to either side of the board would enable the player to perform sharper turns to help negotiate more trickier courses. An alternative system to the lone Wii remote was on the table also – in the form of the Wii remote & nunchuck combo. This worked by holding the two on their side, facing each other; similar to the controls of the ‘Power Cruisingmini-game seen in Wii Sports Resort:

Wave Race Wii Pitch Patent Concept - Wii Remote & Nunchuck

It was theorised that adding these new, more physical control elements with “real world turning” and tilting would lend themselves well to Wave Race – helping to mould a more “realistic” experience for the player.

On August 27 2009, Nintendo of America filed a patent to protect the new control scheme that NST’s developers had created. The filing covered not only controls for jet ski games, but all vehicles controlled by handlebars. In the patent’s documents, for example, we can see that motorcycles were used as a primary example:

After a brief development of no more than 3 months, work on the prototype concluded, and the group presented their pitch to NCL’s board. One source related to the studio claimed it had generated considerable interest among members of NoA and NCL alike, but it was ultimately shot down regardless. After the demo was tested by those present, complaints apparently were levelled at the game’s motion controls; specifically, that they simply “didn’t feel right“. Nintendo therefore declined funding to the project, and full development did not proceed, ending work on it as a result.

Frog Dude [Genesis / MegaDrive – Cancelled]

Frog Dude is a cancelled platformer that was in development by Twilight for Genesis / Mega Drive in 1993. The game was never officially announced but, in 2014, Gamesthatwerent contacted Andy Swann, the lead programmer of Frog Dude, which shared a short playable demo of the game.

The main character was a strange man who used a mace to attack and could transform himself into a long-tongued frog. There is nothing to interact with, no enemies to fight, and no sound effects or music. However, at least a nice cutscene welcomes players at the beginning of the prototype.

According to Gamesthatwerent, the project was shelved before it could even be touted at publishers:

Andy’s agent, John Cook, had come in and said that the Frog Dude title was “workman-like” and suggested they didn’t bother with finishing it.

Read more about this game and download the proto on Gamesthatwerent.

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Kurayami (Suda51) [Cancelled Pitch – PS3]

Kurayami is a cancelled psychological / horror game that was pitched by Grasshopper Manufacture as a PS3 exclusive and originally announced in Edge Magazine issue 162, in May 2006. Being inspired by Franz Kafka novels (a writer known for his stories about alienation, physical and psychological paranoia), in Kurayami players would had to explore a mysterious european castle (that we can relate to Kafka’s The Castle) and the near village filled with creepy inhabitants, using the light from his torch to resolve puzzles and move through the darkness. Light and darkness would have been a central theme in the game, similarly to what happens in Alan Wake (announced in 2005 but released in 2010), in Kurayami the protagonist would have been safer in lit areas while dangers would have been lurking in the darkness.

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Talking about this concept, Goichi Suda said:

“When I considered the visuals, I immediately thought of darkness, and I imagined a hero within this night, with a light that would in a way symbolise his life. That became the core concept of Kurayami: literally, ‘darkness’ (in Japanese). […] It’s not about some hideous monsters or evil creatures coming out of the darkness, but playing on our natural fears of the dark, and the uneasiness that comes from the absence of noise and life. […] “Kurayami’s ideas are not about violence or eroticism, but fundamental problems in the human mind, which may find some conflict with the rating system. […] Though I expect the rating level to be quite high for Kurayami, I also expect the PS3 to be mainly purchased and used by an adult audience. I’m making a game for an adult audience, one that shows what life is and what being human is.”

Players would have had to pay attention to the townsfolk too, as the game would have been ambiguous about their intentions and personality:

“It shows how people change when faced with their fears – in a way, you could see a little bit of what Japan, or the world, is like in this town.”

While there are no in-game screenshots available (only the concept arts that you can see in the gallery below) it’s know that Kurayami would have used a cell-shading style focused on the contrast between colors and black, evolving the 3D engine Grasshopper already used in Killer7. From what was said by Suda during an interview with Joystiq in 2009 it seems that the game never entered into a prototype form:

“It’s not even in development right now. We aren’t even really working on it. We’ve just been talking about it, but there hasn’t been time to work on it. Actually it was really just for Edge. The artwork was just something we submitted them. We’re not working on this project yet. They had some special coverage about Grasshopper and we talked a little bit about Kurayami, and so we gave them some artwork.”

Originally Suda51 told to Edge that they wanted to make Kurayami appealing to more people than their precedent games, saying that “The challenge now is to go beyond simple recognition, and transform our original games into a mainstream success”. Only a year later Grasshopper released No More Heroes for the Wii and it became their most successful games until that point. While Kurayami sounded like a dark, introspective and uneasing experience with european inspired environment and characters, No More Heroes was an explosion of over-the-top action, japanese fanservice and quirky personas.

This could have been the reason why Kurayami was quietly cancelled: in the next few years the team was busy developing Zero: Tsukihami no Kamen (Wii, 2008, a new chapter in the popular Fatal Frame / Project Zero series) and No More Heroes 2: Desperate Struggle (Wii, 2010), supporting Nintendo’s motion-controlled console and finding a new market for their projects.

While Kurayami was never released, its main concept of light and darkness was reused for another Grasshopper Manufacture title: Shadows of the Damned. SotD was a much more linear, over-the-top horror / action game than what Kurayami appeared to be, and even if the released project is a good one, unfortunately there’s no trace of Kafka influences anymore.

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A playable proto of the cancelled Freak Boy N64 has been found at a carboot sale

If you had a Nintendo 64 in the late ’90 you probably remember one of the most interesting games announced but never released for the console: Freak Boy.

Here’s a short snippet from the original press release:

IRVINE, CALIF., May 16, 1996 — Enter the world of FREAK BOY in Virgin Interactive Entertainment’s (VIE) first NINTENDO 64 (N64) game. Three-dimensional graphics, addicting play mechanics and cutting-edge technology that uses morphing special effects define the world in which FREAK BOY lives – an alien world N64 players won’t ever want to leave. Created by Burst, VIE’s in-house development team, FREAK BOY is scheduled to be in stores in early 1997.

Unfortunately the game never seen the light of day, cancelled after its publisher decided to made the team to rework the project multiple times because of marketing decisions. While many cancelled games risk to be lost forever, deleted by the same developers or forgotten in some dusty archives, we could have more luck with Freak Boy.

In september 2015 a reader of Unseen64 randomly found a working early prototype of Freak Boy at a carboot sale in Guildford, UK. It seems that the seller at this flea market did not know much about the historical importance of the strange cart that he was selling, along with other old games, probably in a dusty cardbox. Luckily our friend recognized the title written with a marker on the dev-cart and quickly bought it before other retrogamers. It seems that along with Freak Boy the same seller had 2 other prototype carts, one had written “casinò” and the second one “mario 2“. Unfortunately a the moment we don’t know what was the content of the other 2 carts (if the new owners of those protos are reading this article, please send us an email!).

The Unseen64 reader that found this Freak Boy prototype would like to remain anonymous, but if you are interested you can contact him at [email protected]

Untill now the only available video from Freak Boy was an ugly, pixellated footage from E3 1996, finally we are able to see more from the project, even if in its incomplete alpha. Take a look at the short playlist below with the all the new Freak Boy videos, we hope to be able to have some longer ones soon. Enjoy!