New Cancelled Games & Their Lost Media Added to the Archive

Kurayami (Suda51) [Cancelled Pitch – PS3]

Kurayami is a cancelled psychological / horror game that was pitched by Grasshopper Manufacture as a PS3 exclusive and originally announced in Edge Magazine issue 162, in May 2006. Being inspired by Franz Kafka novels (a writer known for his stories about alienation, physical and psychological paranoia), in Kurayami players would had to explore a mysterious european castle (that we can relate to Kafka’s The Castle) and the near village filled with creepy inhabitants, using the light from his torch to resolve puzzles and move through the darkness. Light and darkness would have been a central theme in the game, similarly to what happens in Alan Wake (announced in 2005 but released in 2010), in Kurayami the protagonist would have been safer in lit areas while dangers would have been lurking in the darkness.

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Talking about this concept, Goichi Suda said:

“When I considered the visuals, I immediately thought of darkness, and I imagined a hero within this night, with a light that would in a way symbolise his life. That became the core concept of Kurayami: literally, ‘darkness’ (in Japanese). […] It’s not about some hideous monsters or evil creatures coming out of the darkness, but playing on our natural fears of the dark, and the uneasiness that comes from the absence of noise and life. […] “Kurayami’s ideas are not about violence or eroticism, but fundamental problems in the human mind, which may find some conflict with the rating system. […] Though I expect the rating level to be quite high for Kurayami, I also expect the PS3 to be mainly purchased and used by an adult audience. I’m making a game for an adult audience, one that shows what life is and what being human is.”

Players would have had to pay attention to the townsfolk too, as the game would have been ambiguous about their intentions and personality:

“It shows how people change when faced with their fears – in a way, you could see a little bit of what Japan, or the world, is like in this town.”

While there are no in-game screenshots available (only the concept arts that you can see in the gallery below) it’s know that Kurayami would have used a cell-shading style focused on the contrast between colors and black, evolving the 3D engine Grasshopper already used in Killer7. From what was said by Suda during an interview with Joystiq in 2009 it seems that the game never entered into a prototype form:

“It’s not even in development right now. We aren’t even really working on it. We’ve just been talking about it, but there hasn’t been time to work on it. Actually it was really just for Edge. The artwork was just something we submitted them. We’re not working on this project yet. They had some special coverage about Grasshopper and we talked a little bit about Kurayami, and so we gave them some artwork.”

Originally Suda51 told to Edge that they wanted to make Kurayami appealing to more people than their precedent games, saying that “The challenge now is to go beyond simple recognition, and transform our original games into a mainstream success”. Only a year later Grasshopper released No More Heroes for the Wii and it became their most successful games until that point. While Kurayami sounded like a dark, introspective and uneasing experience with european inspired environment and characters, No More Heroes was an explosion of over-the-top action, japanese fanservice and quirky personas.

This could have been the reason why Kurayami was quietly cancelled: in the next few years the team was busy developing Zero: Tsukihami no Kamen (Wii, 2008, a new chapter in the popular Fatal Frame / Project Zero series) and No More Heroes 2: Desperate Struggle (Wii, 2010), supporting Nintendo’s motion-controlled console and finding a new market for their projects.

While Kurayami was never released, its main concept of light and darkness was reused for another Grasshopper Manufacture title: Shadows of the Damned. SotD was a much more linear, over-the-top horror / action game than what Kurayami appeared to be, and even if the released project is a good one, unfortunately there’s no trace of Kafka influences anymore.

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A playable proto of the cancelled Freak Boy N64 has been found at a carboot sale

If you had a Nintendo 64 in the late ’90 you probably remember one of the most interesting games announced but never released for the console: Freak Boy.

Here’s a short snippet from the original press release:

IRVINE, CALIF., May 16, 1996 — Enter the world of FREAK BOY in Virgin Interactive Entertainment’s (VIE) first NINTENDO 64 (N64) game. Three-dimensional graphics, addicting play mechanics and cutting-edge technology that uses morphing special effects define the world in which FREAK BOY lives – an alien world N64 players won’t ever want to leave. Created by Burst, VIE’s in-house development team, FREAK BOY is scheduled to be in stores in early 1997.

Unfortunately the game never seen the light of day, cancelled after its publisher decided to made the team to rework the project multiple times because of marketing decisions. While many cancelled games risk to be lost forever, deleted by the same developers or forgotten in some dusty archives, we could have more luck with Freak Boy.

In september 2015 a reader of Unseen64 randomly found a working early prototype of Freak Boy at a carboot sale in Guildford, UK. It seems that the seller at this flea market did not know much about the historical importance of the strange cart that he was selling, along with other old games, probably in a dusty cardbox. Luckily our friend recognized the title written with a marker on the dev-cart and quickly bought it before other retrogamers. It seems that along with Freak Boy the same seller had 2 other prototype carts, one had written “casinò” and the second one “mario 2“. Unfortunately a the moment we don’t know what was the content of the other 2 carts (if the new owners of those protos are reading this article, please send us an email!).

The Unseen64 reader that found this Freak Boy prototype would like to remain anonymous, but if you are interested you can contact him at [email protected]

Untill now the only available video from Freak Boy was an ugly, pixellated footage from E3 1996, finally we are able to see more from the project, even if in its incomplete alpha. Take a look at the short playlist below with the all the new Freak Boy videos, we hope to be able to have some longer ones soon. Enjoy!

Peaky Blinder [MegaDrive / Genesis / SNES – Cancelled]

Peaky Blinder is a cancelled sidescrolling platform game that was in development in 1994 by Storm / Sales Curve Interactive (SCi Games) for SNES, MegaDrive / Genesis / Mega CD and GameGear. Our friend Ross Sillifant found a short article about this lost game in Mean Machines Sega Magazine Issue 15, while the title was also in a release list for SNES published in N-Force Magazine Issue 09. Not many info are available, here’s what Mean Machines wrote about the project:

A trashy terror of the raving underworld is making his debut on the Megadrive and Mega-CD pretty soon, courtesy of Storm. Peaky Blinder is apparently a cult hero on the rave scene and features on loads of t-shirts. Such is his popularity (although we’ve never heard of him) that Storm has built him an entire identity and a ritzy story line to accompany him.
Peaky was borne from a fusion of trash, mass media, toxic waste and dumped video carts – sounds pretty disgusting, which of course he is. But an inner Peaky yearns to break out of his foul exterior and live in a suburban house with frilly pink curtains and longs to be kind to animals. With this in mind, our whiffy hero sets out thought his dire world’s underground system and roams around the inner city slums where anything can happen – and usually does.
Peaky’s a bit unique in that he can change his physical form to suit and combat his hostile surroundings (there has to be some compensation for being a mutant scurf-ball from hell we guess). Not seen much on this yet but we’ll bring you the full gen in a future issue.

If you have more info about this lost game, please let us know in the comments below!

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Peaky Blinder videogame cancelled

City Diver [Arcade – Cancelled]

City Diver is a cancelled arcade 3D shooter that was being developed by Taito in 1994 / 1995. A demo of the game was shown at AOU Show 1994. According to an article published on Edge 8 (may 1994), City Diver was supposed to feature a glasses-free 3D display:

Sanyo – in conjunction with NHK Engineering Services and Toppan Printing – have developed an LCD projector and lenticular lens array which splits the picture into right- and left-side images, providing the viewer with full depth perception.

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The same article described this title as a “stunning four-player 3D shoot ’em up with a mixture of gorgeous rendered images and 3D polygons“.  Virtua Cube-x was another game that was going to use the same technology, but it got probably cancelled as well or converted into a ridefilm for Taito IDYA.

City Diver was apparently planned to be fully unveiled at JAMMA show in September, but it’s currently unknown if the game was present at the arcade exhibition in any form.

Two videos of the game surfaced on niconico in 2013. Thankfully, the clips’ description was translated by lostlevels.org user Boco:

“From a promotional video I received as a gift. Canceled arcade game from Taito in 1995. I played this when it was out for a location test in Shibuya. It was a helicopter flying game similar to “Air Inferno“, with a singleplayer “Mission mode” and a 2-player “battle mode” that used two linked cabinets. I think after it was canceled it got turned into one of those CG movie games used by the Taito IDYA. “

Going by this description, a playable build of City Diver must have existed at some point, then. Unfortunately, we don’t have any additional information about this location test or the IDYA ride film version. The two niconico videos were joined together into a single Youtube clip that can be seen below.

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Banjo Kazooie: Grunty’s Curse [GBC – Cancelled]

Banjo Kazooie: Grunty’s Curse is the cancelled Game Boy Color version of the Rare Ltd. project that would later become Banjo Kazooie: Grunty’s Revenge, released on GBA in 2003 by publisher, THQ. Initially established midway through 1999, Grunty’s Curse represents the original vision for the title with an alternate storyline, and levels that never saw the light of day.

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The Story

Unlike the game released, Grunty’s Revenge, the GBC game does not take place mere months after the events of the first Banjo. Instead, it begins “a few years” after it, according to design documents recovered by a former Rare employee. Whereas Revenge features a tale about time travel, in which the newly resurrected Mecha-Grunty escapes to the past in order to stop the titular duo from ever meeting, the plot of Curse tried another approach.

The title would have opened with Mecha-Grunty confronting Banjo and his friends, placing curses on each of them (with the convenient exception of Banjo himself), as her reign of terror resumes. She starts by morphing Kazooie into a “monster” version of herself; a larger blue bird with allegiances to Grunty. Then, she transforms Bottles into a “funny creature”, as the documents describe it, before manipulating Mumbo‘s mind into making him attack Banjo. While the two fight, she takes off with Kazooie in tow.

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The hero, however, is soon able to out-duel Mumbo, releasing him from the spell. A determined Mumbo then chases after the villainous witch, but to no avail. In a planned comedy set piece, the character inexplicably falls victim to all manner of bad luck: a black cat pounces on him, he runs under a ladder, before a mirror falls and smashes over his head. When Banjo catches up to him, he finds that Mumbo has been stricken with amnesia as a result of his injuries. His memory fails him, but he is able to recall that Banjo must collect several magical ingredients in order to relieve Bottles of his condition.

Banjo, however, comes to the realisation that he has forgotten his moves in the time since his last adventure. With Bottles incapacitated, he will need to seek out a new mentor to provide tutorials. Thus, he chases down Grampa Mole, the elderly father of Bottles. As development progressed, Grampa Mole would evolve into Bozzeye, the NPC that teaches Banjo in Grunty’s Revenge during his visit to the past.

Cut Levels

Banjo Kazooie: Grunty’s Curse featured two worlds that were ultimately dropped from the slate as time went on. These were dubbed ‘MohendraBanjo’, and ‘Fiery Furnace’ respectively.

MohendraBanjo was a stage set in and around the ruins of a jungle temple in the far East:

Fiery Furnace, on the other hand, is described as a ‘dark industrial’ themed level filled with machinery and fire hazards:

While MohendraBanjo appears to have been scrapped fairly early on in the project’s life span, Fiery Furnace would make it considerably further. It even appeared in a leaked early prototype build for the GBA game, albeit in a largely unfinished state. Due to time and storage limitations, the team reduced Fiery Furnace in size and adapted it into a small part of the Freezing Furnace level.

Fiery Furnace protoype video:

Lost Enemies

We have been able to ascertain that a plethora of enemies were explored during Grunty’s Curse, before being abandoned. In MohendraBanjo world, for example, the developers imagined enemies based around cobras and scorpions, in line with its far Eastern theme. You can see some illustrations of these lost baddies here:

 Deleted Transformations

According to the design plans from October 1999, Rare had originally intended to include the ‘Bee Banjo‘ transformation that first appeared in Banjo Kazooie. This would have allowed players to fire stingers in a straight line to attack foes, as well as the ability of flight for an unlimited period to traverse larger platforming gaps.

Early in development, the team was exploring the possibility of ‘useless transformations‘ too. These were power-ups that served no other purpose than comedic effect; a hidden extra in the game to amuse players. Only one of them was slated to be added due to storage restrictions, but a number of them were being looked into:

Unused Transformation Functions

There were considerations for a handful of secondary functions for transformations that were left on the cutting room floor:

  • Tank Banjo originally was going to allow players to directly control the crosshair for greater precision. Players would tap the ‘B’ button to switch from directional movement to manipulating the aim of the cannon. In the final game, tapping the ‘B’ button does nothing. In addition, the tank originally fired eggs. The Grunty’s Revenge tank, however, fires missiles.
  • Octopus Banjo originally was set to be able to swim faster by double tapping the D-pad in any direction.
  • Mouse Banjo was intended to have a ‘shrinking’ function mapped to the ‘B’ button. This would enable Banjo to manually reduce his size for a limited period to fit through smaller gaps in his environment.

Alternative Level Titles

The documents provided also reveal numerous stage names that were eventually changed over the course of development. Among these are ‘Cottage Farm’, which became ‘Cliff Farm’, ‘Soggy Bog Swamp’ was revised to ‘Bad Magic Bayou’, ‘Freezing Furnace’ was originally ‘Freezing Fjord.

Game Assets

Although a playable prototype of the game in its GBC form is not to have ever been made, we have learned that the team of artists assigned to the project at Rare produced a multitude of digital art assets intended for one in 1999. These included sprites of some of the main characters, as well as designs for UI screens, like a pause menu.