Beta + Cancelled third person shooter Video Games - Page 10 of 49

If you are a long-time fan of Square you may have read about this lost game before. Project Dropship was a canceled videogame developed by Square Enix Los Angeles and it would have been their first game. It was going to be a frantic but strategic shooter with a top down view and a strong coop multiplayer component.

It was 2008: Square Enix decided to open a new studio to test new technologies and develop digital-only, small-budget videogames. Their LA team was composed by around 10 or 20 developers and the director was Fumiaki Shiraishi, already know for his work on Crystal Chronicles: my Life as a King and Final Fantasy XI Online. In an interview with Gamasutra Shiraishi talked about their idea for the studio:

“We do like to have one full-size project if possible, and then have the downloadables on the side. We’re still in the process of trying to figure out what the first title will be. Right now we’re still in the very early phase of testing out gameplay stuff and testing out the technology. The scope of the game, and how it’s going to be sold, is going to come a little bit later.”

Even Dave Hoffman, Director of Business Development, declared to Siliconera that they were not ready to announce anything and for 3 years the Square LA studio didn’t release any videogame or announcement

2011 was a difficult year for Square Enix: in March they reported a loss in their last fiscal year, in part due to canceled videogames. Nothing was ever announced for their Los Angeles Studio until it was suddenly closed. Square Enix didn’t announce any reason for the closure, but thanks to Siliconera, Final Fantasy Universe and some leaked screenshots we know that the studio was working on a project titled “Dropship”

Dropship was in development for PC, PS3 and Xbox 360 using Gamebryo, a 3D Engine created by Numerical Design Limited and later licensed by Square Enix in 2009. In the game you had to fight against large groups of enemies to proceed in the area, while using shields and rocks to plan attack or defense strategies. By looking at the video and screenshots leaked online it’s clear that Dropship had a strong focus on its coop mode, with up to 4 players at the same time.

The game was set in a sci-fi-western world, featuring snowy, rocky areas and abandoned factories. You could use guns or lasers and choose between different characters, such as an old man dressed as a cowboy with a pirate hat and a girl with pink hair and goggles. Main enemies in the game were some kind of aliens, strange animals and monsters: we can notice a flying white fish and a huge creature similar to a snake

Dropship was probably cancelled in March 2011 even if it was in an advanced state of development. After the closure of the studio Shiraishi worked for other software houses and today he is Director of Game Development at GungHo Online Entertainment America.

Article by Gin

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Microsoft, Playstation 3 (PS3), Sony, Xbox 360

WET 2: Double Feature [Cancelled – PS3, Xbox 360]

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08-11-2018

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The first Wet was a third person hack n’ slash shooter inspired by grindhouse / exploitation movies, developed by Artificial Mind & Movement (later renamed to Behaviour Interactive) and published by Bethesda Softworks for PlayStation 3 and Xbox 360 in 2009. As described on Wikipedia:

“Wet is an action game that combines shooting and swordplay with acrobatics and gore. The main character, Rubi, carries twin pistols and a sword (she can also carry dual shotguns, submachine guns, or crossbows), and can fire while jumping, sliding on her knees, and running on walls. In some sections of the game, Rubi’s face will get covered in blood and she will go into a murderous, berserker-like rage. These sections are presented in noir style, with bold red, black and white visuals.”

While the game received average reviews and sales, it became a cult-classic for fans of fun action games and grindhouse stories.

In late 2010 Behaviour Interactive officially announced Wet 2 during an interview:

“As part of today’s announcement that the developers of last year’s WET, Artificial Mind & Movement (A2M), would be changing their name to Behaviour, the independent studio has revealed plans to continue the story of Rubi Malone. No formats were discussed, but it is likely that the sequel will follow the original release onto the PlayStation 3 and Xbox 360 consoles. When discussing the future of ‘triple-A’ productions from the studio in an interview with Develop Online, CEO Remi Racine stated; “I think the triple-A market has become very difficult for independents. I’m not saying we’re avoiding it – of course we’re making a triple-A game with WET 2. But it is a very difficult market. It’s very difficult to be successful with those kinds of games.”

Wet 2 would have follow the same gameplay and grindhouse style of the first game, with new missions and enemies to defeat. The team was able to create some concept art (using placeholder images and photos from popular movies), design documents and an early prototype for Wet 2, but after about a year of development the project was canned.

As noted by Behaviour Interactive’s CEO, around 2010 / 2011 the gaming market was quite difficult for small / medium developers. Many great companies had to closed down during those years and lots of promising games had to be cancelled. Wet 2 was one of these failed ideas: we can speculate it was cancelled for lack of funds or because they thought it would have not sold enough copies to justify its completion

Some images and early HUD tests created for Wet 2 were found online by fans of the original game, and are preserved in the gallery below to remind the existence of this lost project.

After some years working on tien-in games and less successful projects, in the last few years Behaviour Interactive were able to work on such popular games as Fallout Shelter, Dead by Daylight and Star Citizen.

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Microsoft, Playstation 3 (PS3), Sony, Xbox 360

The Sandman (Silicon Knights) [Cancelled – Xbox 360, PS3]

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11-10-2018

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The Sandman is a cancelled third person shooter / action game once in development at Silicon Knights around 2009. While the game was never officially announced by the company and we don’t have any details about its story and gameplay, by looking and the remaining concept art preserved in the gallery below we can speculate the main character was somehow able to control some kind of “dark matter”. This power would form different objects and demons around the protagonist, with an effect similar to sand flying around him. This is probably the reason for the “Sandman” name and as far as we know the game was not related to the omonimous Vertigo comic in any way.

The world found out about this lost game because of some old resumes, leaked concept art and a disastrous legal case. As we can read on Wikipedia:

“On May 2012 Epic Games defeated Silicon Knights‘ lawsuit (opened in July 2007) and won its counter-suit for $4.45 million on grounds of copyright infringement. Silicon Knights was directed by the court to destroy all game code derived from Unreal Engine 3 and to permit Epic Games access to the company’s servers and other devices to ensure these items have been removed. In addition, the studio was instructed to recall and destroy all unsold retail copies of games built with Unreal Engine 3 code, including Too Human, X-Men Destiny, The Sandman, The Box / Ritualyst, and Siren in the Maelstrom.”

Some more details on the fall of Silicon Knights were published on Kotaku in October 2012. On May 2014, following the loss of the court case, Silicon Knights filed for bankruptcy. As far as we know, every The Sandman file had to be deleted, so it could already have been lost forever. As Epic Games had access to Silicon Knights’ server, someone may have saved parts of their cancelled games. We can only hope one day someone may be able to share more screenshots, footage or details from these projects.

If you know someone who worked on The Sandman and may help us to save something more from the game, please let us know.

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Hasbro VR, Others

Shatterman (Angel Studios) [Hasbro Toaster VR – Cancelled]

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11-10-2018

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Shatterman is one of the few games in development for the ill-fated Hasbro Toaster VR by Angel Studios (the modern Rockstar San Diego). The studio was founded in 1984 to create computer graphic videos for such projects as the legendary movie Lawnmower Man (1992).

We don’t know if Hasbro was impressed by the first person shooting segments of Lawnmower Man or if Angel Studios was chosen by coincidence, but those parts in the film could give us an idea about how Shatterman could have been conceived. At the time Angel Studios was still mostly a CG video production company. In fact, most of Shatterman’s team were recent college grads with little to no experience working on a commercial game.

However, they did have all the hardware needed to create awesome looking games thanks to Silicon Graphics workstations, one of the most powerful hardware at the time. This probably helped them join the legendary “Dream Team”, a group of studios organized by Nintendo in the mid ‘90 to create ambitious games for the “Project Reality” (the early codename for the Nintendo 64).

Shatterman could have been Angel Studios first game if the Hasbro Toaster VR would have not been canned in mid 1995. In 1996 they were finally able to release their actual first commercial game (along with Zono): Mr. Bones for the Sega Saturn.

Hasbro Toaster’s graphical power was probably over-hyped at the time as in reality its games would have looked somehow like a mix between Super FX Chip powered SNES games (StarFox) and early 3D arcade games (Virtua Racing or Virtua Fighter), with texture-less polygons and vivid colors. As recalled by Allen Battino, former Angel Studios’ Senior Art Director:

“I don’t remember much about Shatterman, but what I do remember is that he was designed to have the least amount of polygons possible while having a heroic look that would be glasslike and break up in shards effectively.”

While the default play view mode was third-person (with the camera right behind the in-game character), players would view the action through their VR goggles as in some kind of direct first person view. Once hit by too many shots, the character would break into pieces in a quite impressive effect (for the time). There’s not too much information known about Shatterman’s story. The plot would follow the life of Shatterman, a futuristic film-noir-inspired detective, who would drive from location to location as he takes out the bad guys.

Why he was driving and where he was driving remains cloudy, however the driving sections should be noted. Angel Studios was responsible for pioneering open world racing games with the popular PC-exclusive Midtown Madness in 1999.

Unfortunately, Hasbro’s technology and lack of real hardware made things a bit complex to create. As noted by Paul Skibitzke, one of the programmers who worked on Shatterman:

“The VR features we supported (3D rendering, stereoscopic rendering, head tracking) were not at all difficult to develop or use in a videogame. They’d been supported on our Silicon Graphics (SGI) hardware for a couple of years at that point, and the Angel Studios game engine was built with support for them.
However, actually using those technologies was hard on the body and mind. Between low frame rates, low goggle resolution, slow head tracking, and sheer weight of the goggles, you were likely to get nauseous and/or a sore neck after 15 minutes of using the hardware. So most of the time, we would test the game from the computer monitor, without goggles.
As far as the features of Hasbro platform itself, all our work was done on SGIs. We never actually got any Hasbro hardware! We were told that it would effectively be a game console, with orientation-sensing 3D goggles, and a controller.”

Only a single combat area and an early city driving prototype were completed before work on the project stopped.

For Angel Studios, Shatterman was an interesting proof of concept for the anticipated platform, but the lack of actual hardware to develop on made it clear that it was useless to plan a whole game for a vaporware console.

Shatterman was not the last virtual reality game that Angel Studios worked on. Their experience with VR helped them sign a contract with Disney to create the Virtual Jungle Cruise at DisneyQuest in 1998, which seems to still be available at the Disney World Resort in Orlando.

After releasing some other games for various consoles, such as the Resident Evil 2 port for the N64, the Midtown Madness series, and Smuggler’s Run, Angel Studios was bought by Take-two in 2003 and renamed Rockstar San Diego. They then moved on to work on such popular titles as Red Dead Revolver, Midnight Club and Grand Theft Auto V.

This article was originally published in our book “Video Games You Will Never Play”.

Microsoft, Others, PC / MAC, Playstation 3 (PS3), Sony, Xbox 360

Aftermath (Salvation) [Cancelled – Xbox 360, PS3, PC]

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04-10-2018

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Aftermath (AKA Salvation) is a cancelled top-down shooter / RPG hybrid that was in development in 2009 by WhiteMoon Dreams, planned to be released for Xbox 360, Playstation 3 and PC. The team behind this lost project previously worked on such popular games as Fallout, Descent, Ratchet & Clank, Medal of Honor and many others. The game was pitched as “Diablo 2 with guns”.

As we can read in the old press-release for their demo (currently unavailable):

“Well, the best and simplest way to describe this game is to say it’s “Diablo 2, with Guns!” We wanted to make a fun retro-style shooter (ala Robotron or SmashTV) with some light RPG elements (like leveling up your characters, upgrading your weapons, skill trees, etc). Unlike most retro-style shooters, we wanted to keep the art quality to next gen standards. (But we still love you Geometry Wars!) Also, we wanted to focus on cooperative multiplayer, so you and your buddies can shoot up the place either gathered around the same console or over the ‘net.
The story behind Aftermath concerns a group of 4 Wanderers who exist in a post-apocalyptic Earth. They are tasked to save humanity from hordes of mutants, domineering military forces, and murderous robotic entities.
So for the art style, our original inspiration believe it or not, came from Burning Man, which is the annual art festival held every year in the Nevada desert. All the crazy, funky clothing, art, and music was a direct influence to how we wanted to present the characters and environments in Aftermath.”

Some more details about the game’s story were found in their old website:

“Our story takes place on Earth, a few generations from today. Only a few years earlier, we experienced the LastWar, which devastated the Earth and everything that lived upon it. The cause of the War is a mystery; it was impossibly brief and no one who survived knew the details.
In the years following the cataclysm that ensued, the few scattered survivors of Old Earth struggled to scratch whatever living they could out of the radiation-wracked ruins of their former world. It wasn’t easy. The oceans had dried into vast salt deserts, dotted here and there with a few fetid pools. Plants and creatures now mutated at a terrifying pace into increasingly dangerous and alien forms. In the midst of this desperate fight to survive, memories of the old world faded away.
There were a few, though, who remembered. Amid this chaos arose an order of survivors, who came to be known simply as The Wanderers. They sought to reclaim the knowledge of Old Earth and spread it to the scattered tribes, to replant seeds of knowledge that had been lost and fight for the future. They alone braved the vast wastes separating these far-flung oases of humanity, fighting for those in need, trading, and teaching. With them came a new hope for this struggling world.
Now, a new threat has arisen. It had been thought that the robots of Old Earth; those who had survived the attacks at all, had long since run out of power. Suddenly, Wanderers began to discover oases that had been slaughtered en masse, and those few who survived described armies of mechs marching out of the wastes, killing everything in their path. The Wanderers now accepted a new mission: to find the source of this new evil, and to destroy it. As a Wanderer, this is now your mission as well.”

WhiteMoon Dreams were trying to find a publisher for Aftermath and their second project titled “Warmachine”, but in the end they only found support for the latter, finally published as “WARMACHINE: Tactics”. Aftermath was quietly cancelled and lost forever. Only a short gameplay video is currently preserved below.

In 2017 the same team published Starblood Arena, for Playstation VR.

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